Gestures of Defiance

I'm an artist, educator and activist particularly interested in learning from tactics, props and gestures used as protests. I use this blog as a platform to archive and communicate examples of what I call 'gestures of defiance'-exciting, urgent and relevant actions that link protest histories and present radical potentials. On this blog I'm simply compiling and reposting examples I find as they happen. Months may go by with out a post but the blog as an archive is still active.

Thursday, July 30, 2015

"Activists hang from bridge in Portland to block Shell's Arctic vessel"




http://www.theguardian.com/environment/2015/jul/29/activists-hang-from-bridge-portland-block-shells-arctic-oil-vessel
A group of environmental activists rappelled off a bridge in Portland, Oregon, shortly before 3am PT, in a bid to block a key vessel in Shell’s Arctic drilling fleet leaving the city’s port.

The new cold war: drilling for oil and gas in the Arctic

 
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The oil company’s 380ft Fennica icebreaker departure time has been delayed, but it is not yet clear what role, if any, the protesters played in the delay. The vessel was originally scheduled to leave at 4.45am, according to the Columbia River Pilots website. The Columbia River Bar Pilots website later listed the launch time as 12pm. No new departure time has been listed on either site.
A Shell spokeswoman said: “The Fennica will begin its return journey to Alaska once we’ve completed the final preparations.”
Greenpeace said that 13 of its climbers were hanging off St Johns bridge and had enough supplies to last days in their attempt to hinder Shell’s Arctic drilling plans, with another 13 people assisting them.
The vessel arrived in a dry dock in the city for repairs on Saturday, following damage to its hull in the Aleutian Islands earlier this month.
The icebreaker must be at Shell’s drill site before workers can drill deep enough for oil because it has a capping stack, a key piece of safety equipment, on board. A capping stack is required because it can stop oil leaks if a well blows out.
Annie Leonard, executive director of Greenpeace US, said: “Every second we stop Shell counts. The brave climbers here in Portland are now what stand between Shell and Arctic oil. This is President Obama’s last chance to wake up and realize the disaster that could happen on his watch.”
Sergeant Peter Simpson, a Portland police spokesman, told the Guardian that arrests may take place later today: “We are aware of the demonstration and are monitoring it in the area. The St Johns bridge remains open to all vehicle traffic. Arrests may be possible as the day goes on. Our top priority is public safety, including that of the demonstrators and other people using the river.”
The US coast guard was reported as monitoring the situation. Onlookers said the activists were handing out diapers to one another because they could be on the river for a long time. 
Other protesters have taken to the water in kayaks to attempt to block the vessel from leaving Portland. They met at noon on Tuesday in North Portland’s Cathedral Park before taking to the water. Local media reported that about 60 kayaks were in the water early on Wednesday morning. The action is similar to one that took place in Seattle last month in an attempt to stop Shell’s rig, but failed after the so-called kayaktivists were pulled out of the way by the coast guard.
“Our goal is to basically demonstrate as much community resistance to Shell’s plans to drill for oil and secure new oil reserves in the Arctic,” Meredith Cocks, of local green group Portland Rising Tide, told Reuters.
Last week the Obama administration granted Shell permission to bore two new exploratory wells, subject to conditions.
Leonard added: “Greenpeace prioritises safety above all else and rappelling from a bridge is a walk in the park compared to the risks that we’ll face if we continue the climate change trajectory we’re on now.”
Posted by Mary at 2:25 AM No comments:
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Labels: Activism, Alaska, Arctic Drilling, climbers, Fennica, Greenpeace, icebreaker, oil, Portland, Shell

Wednesday, July 29, 2015

"In One Devastating Quote, Dave Chappelle Says What Other Celebrities Won't About Activism"

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http://mic.com/articles/122615/dave-chappelle-on-social-justice-and-activism
During his acceptance speech, the 41-year-old comedian addressed an issue many in his profession have shied away from: his responsibility as an artist in a time of social and political strife.
Speaking to the persistent phenomenon of young black men and women being killed and brutalized by police in the United States, Chappelle made it clear that he will not remain silent on the topic:
Source: Scott Roth/AP
"The biggest enemy of an artist is apathy," Chappelle said, according to the Associated Press. "A kid gets killed by the police and I buy a T-shirt and before I can wear that one, there's another kid [killed] and I'm running out of closet space."
The T-shirt metaphor is a sobering way to illustrate the frequency of this pattern. From Michael Brown in Ferguson, Missouri, to Sandra Bland in Waller County, Texas, the deluge of young black people who have died at the hands of the state or in state custody over the past year speaks to the unending salience of anti-black violence in this country.
The role of entertainers in addressing these topics is increasingly subject to debate. In recent months, comedians like Jerry Seinfeld have shied away from embracing the potential responsibilities that come with such a high profile.
Chappelle, on the other hand, has not only embraced these responsibilities, but also clearly identified himself as having an activist mindset. Being sociopolitically astute is not necessarily in a comedian's job description. But as the criticism of Seinfeld and Amy Schumer indicates, viewers today are less tolerant of entertainers who fail to acknowledge the intersecting complexities of racial and sexual politics.
Chappelle (left) with fellow Rush honorees Wangechi Mutu, Simon de Pury and Ava DuVernay.
Source: Eugene Gologursky/Getty Images
For Chappelle, this is nothing new: Chappelle's humor has always been explicitly political. His program Chappelle's Show, which aired on Comedy Central from 2003-2006, thrived through its irreverent approach to American race relations. The comedian also famously walked away from completing a third season because of personal anxieties, in part precipitated by discomfort with how the show's racial humor was being interpreted by white viewers.
So his address to the Rush event's audience comes amid a comeback to standup comedy, of sorts. Chappelle has been touring intermittently for the past year, often to mixed reactions.
Yet the power of his brand of humor is still not lost on him. "I think it is important to be out [giving shows] now, but what's going on in the world isn't why I initially came back out," he told the AP. "This is a very surprisingly emotionally charged time, so people like me, I think, are very relevant and necessary in sorting through all this information and emotional content."
"And when we are at our best, hopefully we are doing a great service to many people."
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Zak Cheney-Rice
Zak is a Senior Staff Writer at Mic.
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Posted by Mary at 1:18 AM No comments:
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Labels: Activism, Dave Chappelle

Tuesday, July 28, 2015

During a protest of the murder of Oscar Grant


Posted by Mary at 2:00 AM No comments:
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Labels: Oscar Grant

"At Sandra Bland’s Funeral, Celebration and Defiance"

http://www.nytimes.com/2015/07/27/opinion/charles-blow-at-sandra-blands-funeral-celebration-and-defiance.html?smid=fb-share&_r=0

The Opinion Pages  | OP-ED COLUMNIST 

At Sandra Bland’s Funeral, Celebration and Defiance

JULY 26, 2015
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The burial service for Sandra Bland on Saturday in Lisle, Ill. CreditJoshua Lott for The New York Times 
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LISLE, Ill. — Funerals are often predictably somber — a cloistering and culminating of grief and pain. Not Sandra Bland’s funeral. (Everyone called her Sandy, by the way.) Sandy’s was simultaneously celebratory and defiant.
Bland was the 28-year-old Illinois woman arrested after a traffic stop in Texas who died in a county jail. Her funeral was held Saturday at DuPage African Methodist Episcopal Church in Lisle, Ill., just outside Chicago.
Bland’s casket was white. Many in the family wore white. The pastor wore a white ministerial robe. This was not to be a dark day. The joyous music of the choir seemed to vibrate everything in the building. Bland’s mother, Geneva Reed-Veal, danced every time the choir sang. One of Bland’s cousins performed a praise dance, a choreographed dance set to religious music.

There were whimpers and tears, to be sure, but there was also laughter and praise. As the church’s pastor, James F. Miller, put it: “This is not a moment of defeat; this is a moment of victory.” He continued: “We’re not funeralizing a martyr or a victim; we’re celebrating a hero!” The crowd erupted.
Over a few days leading up to the funeral I interviewed a few of Bland’s fellow church members and friends. They described a complex person — in other words, a person — who had recently come into her own, realizing her life’s purpose (social justice), a person who to them appeared determined, settled and happy. None of them believe she committed suicide, or that it was even possible.
What I did hear during those interviews and during the funeral itself were words and phrases like these used to describe Bland: “Fearless.” “Activist.” “Life of the party, in a good way.” “Vibrant and full of life.” “Passionate.” “A strong woman; a strong black woman.”
It was abundantly clear to me that the people who knew and loved her loved her fierce-ly and loved her fierce-ness.
That was not to say that Bland didn’t have her ups and downs the way many young people do. But rather, she wasn’t afraid to admit it and wanted to use her testimony to help others. I spoke to a woman with whom Bland was working to start a women’s empowerment forum online, who said that Bland told her that she wanted to share her travails because “it takes a lot of will and resilience when you’re going downhill to stop yourself.”
The Rev. Theresa Dear, who spoke to me on the family’s behalf, said that sure, Sandy was a “mouthy person” and that she could imagine her “raising you know what” in her Texas jail cell.
But, like Bland’s other friends, Dear described this in ways that seemed less acerbic than courageous, less Sister Souljah than Sojourner Truth.
As Dear put it: “Everybody in their lives needs a Sandy Bland posture, a Sandy Bland voice.”
Bland didn’t demur and knuckle under. Some have criticized her for her stance during the traffic stop, suggesting that if she had behaved differently, with more respect for the officer, she might have avoided arrest.
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Maybe. But, it must always be remembered that the parameters of “respectable behavior” are both raced and gendered. The needle moves to differing positions for different people. That is, I believe, one of the reasons that this minor traffic stop so quickly escalated.
How dare a woman not present as a damsel? How dare a black person not bow in obsequiousness?

The officer’s irritation seemed to build in direct response to Bland’s unwavering defiance. She refused to break, crumble and cry. She refused to express fear. She challenged his authority, his character and his expression of masculinity.
Now, it is clear to me that Bland’s allies are girding themselves to fight for her life and her legacy. As her mother said in a fiery speech during the funeral: “I’m going to take today and relax. I’m going to take tomorrow and relax. But Monday, it’s on!”
There are so many unanswered questions in this case and so many things that don’t, on their face, make sense. The public wants answers, but more importantly, the family needs answers. As her mother said, “I’m the mama, and I still don’t know what happened to my baby!”
The pastor extolled those gathered to “go online and shut down the Justice Department’s website, asking for a federal investigation.” Indeed, Senator Dick Durbin and Representative Bill Foster both said at the funeral that they’d each sent letters to Attorney General Loretta Lynch requesting such an investigation.
And both Bland’s mother and Pastor Miller took swipes at the media’s portrayal of Sandy.
Miller demanded that responsible media stop showing images of Bland’s scarred body, “lining your pockets with the blood of our child!” As Miller said, “You have stepped on the cat’s tail.”
Then he seemed to, for comedic and theatrical purposes, catch himself, musing out loud, “They want me to sit down because I’m going to get us in trouble.”
But he quickly followed: “I was born black in America; I was born in trouble.” The mourners signaled their agreement.
Posted by Mary at 1:59 AM No comments:
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Labels: funeral, Sandra Bland, Texas

Monday, July 27, 2015

Artists launch campaign to tackle scourge of anti-homeless spikes in London

http://www.independent.co.uk/news/uk/home-news/artists-launch-campaign-to-tackle-scourge-of-antihomeless-spikes-in-london-10400210.html

Artists launch campaign to tackle scourge of anti-homeless spikes in London

'Regardless of whether you own, rent or even have a home, the streets are ours'

CAROLINE MORTIMER Author Biography
 
 
Sunday 19 July 2015
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London artists have launched a fightback against the “homeless spikes” which have been appearing outside shops around the city.
An art collective known as Space, Not Spikes, have started creating makeshift beds on top of the spikes in Shoreditch, east London.
In a statement on their website they explain: “Living in a city, we bumble along from place to place in tightly martialed lines.
“We’re told where we can walk, where we can sit, where we are welcome but only if we spend money. Or have it. It makes us neurotic and engenders a deep sense of ‘otherness’ in anyone who chooses to or simply cannot buy in to what currently passes for society and leisure.
“Space, Not Spikes came from the anger of public/private space inequity. We chose the Curtain Road location because of its resonance with artists. Round the corner and down the road were the studios and spaces used by artists who couldn’t afford anywhere else to live and work.”
“Regardless of whether you own, rent or even have a home, the streets are ours.”
 
Leah Borromeo, a member of the “loose collective of friends and colleagues” who put it together, told the Independent the beds were designed to open a dialogue about "hostile architecture" and ensure architects and landlords cannot impose them on public and private property.
She said: “These devices say ‘we don't want you here because you're not rich enough’. There's too much of that in the world as it is - and in a time where anyone could end up in dire straits at any time, these are downright aggressive.
“We should be addressing the causes of poverty, not shoo off those who find themselves in unfortunate circumstances.”
The group also installed mini libraries next to the beds with poverty themed books in them 
Last year Tesco was forced to remove one-inch homeless spikesfrom its Regent Street store after protests.
They insisted the spikes were designed to discourage anti-social behaviour but Left Unity, which lead the calls for their removal said: "We don't want to live in a society where public space is covered in spikes. Homeless people are not pigeons."
Posted by Mary at 12:44 PM No comments:
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Labels: "hostile architecture", "Space, anti-homeless spikes, homelessness, London, Not Spikes", poverty, public space
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From "Protest in Pride", 2014

From "Protest in Pride",  2014
I sometimes contextualize, cite and reactivate elements that I share here through my own artistic practice. You can find out more about that at: www.marycoble.com. Researching the raised fist is where this began for me.

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